Italian 1494-1557 Jacopo Pontormo Galleries
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer. Related Paintings of Jacopo Pontormo :. | Madonna and Child with Saints | Madonna and Child with St Anne and Other Saints | Lady with a Basket of Spindles | Punishment of the Baker | Portrat einer Dame mit Spindelkorbchen | Related Artists:
Daniel Schultz (1615 - 1683) was a famous painter of the Baroque era, born and active in the Polish - Lithuanian Commonwealth. He painted many Polish and Lithuanian nobles, members of the royal family, local Patricians, such as the astronomer Johannes Hevelius, and animals.
Nikolai Ge1831 C 13 June [O.S. 1 June] 1894) was a Russian realist painter famous for his works on historical and religious motifs.
Nikolai Ge was born in Voronezh to a Russian noble family of French origin. His grandfather emigrated to Russia in the 18th century. His parents died when he was still a child, so Nikolai was raised by his serf nurse. He graduated from the First Kiev Gymnasium and studied at the physics-mathematics department of Kiev University and Saint Petersburg University.
In 1850 he gave up his career in science and entered the Imperial Academy of Arts in Saint Petersburg. He studied in academy under the historical painter Pyotr Basin until 1857. He graduated from the academy in 1857 with a gold medal for his painting The Witch of Endor Calling Up the Spirit of the Prophet Samuel. According to Ge himself, during that period he was strongly influenced by Karl Brullov.
His gold medal provided him a scholarship for studying abroad . He visited Germany, Switzerland, France and in 1860 settled in Italy. In Rome he met Alexander Andreyevich Ivanov who strongly influenced Ge. In 1861 Ge painted The Last Supper; in 1863 he took the painting with him to Saint Petersburg. Ge found his own interpretation of the classical subject ?? he emphasized the motif of discord among those who had formerly shared the same views. The painting (bought by Tsar Alexander II of Russia) made so strong impression that Ge was made a professor of Imperial Academy of Arts.
In 1864 he returned to Florence where he became a friend of a major Russian pro-Western writer and thinker Alexander Herzen and painted his portrait. The same year he also painted Messengers of the Resurrection and the first version of the Christ on the Mount of Olives.
Isenbrandt, AdriaenFlemish Northern Renaissance Painter, ca.1500-1551
South Netherlandish painter. He became a master in the Bruges Guild of St Luke in 1510, at which time the records specify that he was a 'stranger' and childless. Shortly afterwards he married Maria Grandeel, who bore him one child (d 1512). After his wife's death in 1537, Isenbrandt married Clementine de Haerne, with whom he had three daughters. One further daughter was born through an extra-marital relationship with the innkeeper Katelijne van Brandenburch. According to contemporary sources, Isenbrandt was famous and well-to-do. He held important posts in the Bruges Guild of Sculptors and Saddlemakers, serving as deacon nine times between 1518 and 1538 and as governor twice (1526-7 and 1537-8).